Braggoscope

The Spanish-American War 1898

2026-04-02T00:00:00+00:00

Misha Glenny and guests discuss a turning point in world affairs in 1898 that left Spain greatly reduced as an imperial power and the US the owner of the Philippines, Guam and Puerto Rico, with a significant influence over the newly independent Cuba where the war broke out. The US had been eyeing Cuba for decades, waiting for the right moment and the right kind of action, and in April 1898 intervened in the long-running fighting on the island for independence from Spain. With a much stronger navy it was a very uneven battle and the US soon triumphed over Spanish forces from Manila to Santiago de Cuba. This brief war confirmed the US as a power on the world stage and made a shocked Spain turn inwards to ask what had gone wrong. Meanwhile, people in the Philippines were about to attempt a new and bloody independence fight with the US.

Silicon

2026-03-26T00:00:00+00:00

Misha Glenny and guests discuss the physics, biology and chemistry of the element silicon which is at the heart of some of the most useful and beautiful objects on the planet. While it is still being created throughout the universe, the silicon we have here was made billions of years ago in dying stars. In its compounds we have long used silicon for glass and, more recently, purified silicon has become the foundation of modern electronics. Perhaps less appreciated is the role silicon compounds play in the biology of life on Earth, on the levels of carbon dioxide in the atmosphere and the cycling of elements between land, oceans and atmosphere that sustains us.

Dadaism

2026-03-19T00:00:00+00:00

Misha Glenny and guests discuss the provocative artistic phenomenon that first startled audiences in 1916 in Zurich. There, at the Cabaret Voltaire at the Hollandische Meierei on the Spiegelgasse, Emmy Hennings and Hugo Ball and others gathered on a small stage, sometimes dressed in cardboard, often performing nonsense poems. This was the start of Dada, a spirit more than a movement which spread to other cities in Europe during the war. In part the Dadas (as they called themselves) were protesting against the inevitability of constant wars on the continent and in part this was an artistic experiment around the absurd; they were creating poems, songs, costumes and art that made no obvious sense, just as the war around them made no sense to the artists, designers and poets at the Cabaret Voltaire.

Archaea

2026-03-12T00:00:00+00:00

Misha Glenny and guests discuss one of the most remarkable scientific discoveries of the 20th century: the archaea microorganisms. In the 1970s the American microbiologist Carl Woese (1928-2012) realised that the tiny bacteria-sized organisms he was studying were not actually bacteria but from an entirely different branch of the tree of life. It became clear that archaea, as he named them, share aspects of the cells in all plants and animals even if they often live in places where other life struggles including salty lakes, acidic pools, under the sea bed and in the gut. While aspects of what followed from Woese are still under debate, further discoveries suggest that life on Earth has been on a journey of separation and reunion: that the first cells developed into bacteria and archaea billions of years ago and that some of those later combined to form the complex cells from which we are made.

Margaret Beaufort

2026-03-05T00:00:00+00:00

Misha Glenny and guests discuss the woman who, as a child bride, became mother to the boy who would eventually become the first king in the Tudor dynasty. Lady Margaret Beaufort (c1443-1509) was twelve when she married Edmund Tudor, half his age, and gave birth to their son Henry when she was thirteen and Edmund was already dead from the plague. Margaret Beaufort made it her life’s work to protect Henry during the Wars of the Roses, which had begun soon before his birth and, as many more obvious successors to the crown died or were killed in the wars, she pivoted to supporting Henry when he became the strongest contender against Richard III. She was to survive Richard III declaring her a traitor and went on to see Henry become Henry VII, the first Tudor king, and herself become the King’s Mother. Outliving her son by a few months, she was then to help her grandson Henry VIII succeed and the Tudor dynasty continue.

The Columbian Exchange

2026-02-26T00:00:00+00:00

Misha Glenny and guests discuss the exchange of cultures and biology across the Atlantic and Pacific after 1492. That was when Columbus reached the Bahamas, a time when Europe had no potatoes, tomatoes, sunflowers or, arguably, syphilis in its most virulent form; the Americas had no cattle, bananas, sugar cane or smallpox. The lists of what was then exchanged are long and as these flora, fauna and diseases moved between continents, their impact ranged from transformation to devastation. In parts of the Americas, European viruses helped kill over 90 percent of the population. In parts of Europe, Africa and Asia populations boomed on the new American foods. Sheep from Europe grazed fertile land into deserts in some parts of the Americas, while the lowered populations in others led to local reforestation which, arguably, is linked to a particularly cold period in the Little Ice Age.

John Keats

2026-02-19T00:00:00+00:00

Misha Glenny and guests discuss the short life and lasting works of Keats (1795-1821), who in one year wrote some of the most loved poems in English. Among these are Ode to a Nightingale, Ode on a Grecian Urn and Ode on Melancholy. That most productive year began in autumn 1818, when Keats had been stung by some reviews labelling him an uncouth Cockney who should go back to his former work as an apothecary, work he had left for poetry only two years before with the encouragement of enthusiastic friends. Just over two years later, Keats was dead in Rome from tuberculosis, before his work found fame, though some who knew him, including Shelley, believed his true killer was the critics.

The Code of Hammurabi

2026-02-12T00:00:00+00:00

Misha Glenny and guests discuss the laws that Hammurabi (c1810 - c1750 BC), King of Babylon, had carved into a black basalt pillar in present day Iraq and which, since its rediscovery in 1901 in present day Iran, has affirmed Hammurabi’s reputation as one of the first great lawmakers. Visitors to the Louvre in Paris can see it on display with almost 300 rules in cuneiform, covering anything from ‘an eye for an eye’ to how to handle murder, divorce, witchcraft, false accusations and more. The Code of Hammurabi, as it became known, made such an impression in Mesopotamia that it was copied and shared for a millennium after his death and, since its reemergence, Hammurabi and his Code have been commemorated in the US Capitol and the International Court of Justice.

Henry IV Part 1

2026-02-05T00:00:00+00:00

Misha Glenny and guests discuss one of the most successful of Shakespeare’s plays in his own time. Written with no Part 2 in mind as ‘Henry the Fourth’, the play explores ideas about who can be a legitimate ruler and why, and how anyone can rightly succeed to the throne. This was an especially pressing question for his Tudor audience as Elizabeth I had named no successor. Playwrights, banned from openly discussing the jeopardy her subjects faced, turned to these themes of power, legitimacy and succession in distant and recent history. When Shakespeare combined this relevance with the vivid characters of Falstaff, Hotspur and Hal and with the tensions between noble fathers and sons, he had a play that fascinated well into the Jacobean era and has been revived throughout the centuries.

The Roman Arena

2026-01-29T00:00:00+00:00

Misha Glenny and guests discuss the countless venues across the Roman Empire which for over five hundred years drew the biggest crowds both in the Republic and under the Emperors. The shows there delighted the masses who knew, no matter how low their place in society, they were much better off than the gladiators about to fight or the beasts to be slaughtered. Some of the Roman elites were disgusted, seeing this popular entertainment as morally corrupting and un-Roman. Moral degradation was a less immediate concern though than the overspill of violence. There was a constant threat of gladiators being used as a private army and while those of the elite wealthy enough to stage the shows hoped to win great prestige, they risked disappointing a crowd which could quickly become a mob and turn on them.